The beautiful sound of the piano, if dew drops like bamboo leaves, sounds cold; The beautiful song, like a murmuring water unique charm. Ancient and modern songs, classics spread; The combination of Chinese and Western, glow unique brilliance. The tension of art is quietly emerging between the gestures and the shallow singing. Sometimes it is as strong as a long cry when an eagle spreads its wings, and sometimes it is as gentle as a line of tears when deep feeling is mixed. Dream back to the past, soaked poetry fragrance; Soul drunk today, feel the charm of music. Chinese art songs, with its high taste, high taste, shine in the field of art. On the evening of April 19th, the "Chinese Art Song Tour Cultural Exchange - Dr. Huang Lu Solo Concert" was held in the North Life Concert Hall of Jiangnan University. With a sold-out audience, young soprano Huang Lu's beautiful voice, accompanied by the wonderful explanation of director Liu Qing and the beautiful accompaniment of artistic director Zhang Huan, brought a beautiful evening of poetry and music, ancient and contemporary. Before the concert began, Liu Qing introduced the connotation and development of art songs, as well as the singing repertoire of this concert. From traditional Ci music, modern classics to contemporary new works, not only reflects the rich content of this concert, but also reflects the concept of "elegant art into the campus, traditional art into the classroom". The concert was kicked off by a traditional ci music work "Yangguan Sanjie". The gentle and low piano was melodious in silence. As the bass slipped to the treble, the phrase "Weicheng toward Yuanyuan is light in dust, and the guest house is green and willow in new color" sounded in a graceful and elegant tone. Three stacks, is three paragraphs, a stack of sadness to the scene, two stacks of bottles say goodbye, three stacks of ancestors. In the cycle of singing and sighing, the delicate and long song is told. Singing to "persuade you to enter a cup of wine", Huang Lu looked into the distance, hand cup-like, as if in a may go is a friend to say goodbye to the words of endless sorrow, that the feeling of farewell, retain the meaning, farewell helpless and sincere blessing are all contained in this thick melancholy song. The second modern classic, "Homesick," was followed by a gentle overture. In the singing, it reveals a deep feeling of nostalgia, as if a wanderer who has left his hometown is crying gently. "Homesickness", not only the color of Western romantic thought, but also the ideological realm of "the unity of heaven and man" in China. The third piece, Bye-Dong Da, is the work of Tang Dynasty poet Gao Shi. In the Tang poems, those sad lingering, low lingering works, although moving deeply, but another kind of generous sad songs, from the heart of the poem, but with its sincere friendship, strong faith, for the Ba Bridge willow and Wei city wind and rain painted another bold and healthy color. In the song, the parting words are impassioned and inspiring, sweeping away the old melody of lingering sorrow and reflecting the mellow and moving poetry. The next song "钗头凤" reflects the indescribable sad love in the chilly rhymes. "Wrong, wrong, wrong", a series of three "wrong" words, even burst out, is wrong, is wrong, but also wrong, feelings are extremely painful. Singing, a great grief can not bear to say, sad can not say the mood. Chinese art songs infiltrated in classical poetry pay great attention to the melody of the tune and the rhythm of the lyrics, and this work "Nostalgia Song" created by the pentatonic scale in the Republic of China, the melody of the song is like that of the poem, the transition between neat and exquisite, full of poetic and pictorial meaning. "It whimpered for my fate, hope like a dream without a heart," the song gradually slowed down at the end, showing the chic attitude of "love I love, no regrets." The next piece, "Black Night Cry", composed by Li Yu, the late master of the Southern Tang Dynasty, uses a version composed by A Boring, a composer from Taiwan, China. The jumpy notes at the beginning are gripping, the emotions are progressing, and the melody and lyrics are perfectly matched. In the light and distant singing, the abstract thoughts of leaving sorrow become as specific and tangible as the moon, late autumn and Phoenix tree. The next two songs are both about love. A "Apricot flower sky shadow", the poet's thoughts of the former lover depicted in a thousand turns. The melodious sound of the piano is full of spring, and the audience hears it like a boat drifting in an unknown place. Melody turns and changes, is to or to stay, wandering, thoughts, want to say. Another song, Jiang Chengzi, expresses Su Shi's deep sorrow for his late wife. Shallow singing crooning between such as homely, insipid apartment deep feeling. As reality and dream blend, Huang Lu looks up into the distance, trying to capture something, but the eyes seem to be completely confused. "Look at each other without words" is better than a thousand words. In the end, it can only be "bright moon night, short Matsuoka", leaving a little helpless. After a song, Huang Lu put his hand on his chest for a long time, as if he had been immersed in the interpretation just now, and the audience was also sad. The ninth song is "Like a Dream", which uses the traditional Chinese transition, but many of the writing methods borrowed from the West. The song is gentle, the accompaniment is like the wind singing, the tune is simple and clear, suddenly a girl is walking with a light step, Huang Lu slightly nodding, gently collecting breath, and then lifting the breath to sing, it seems that the lyricist has turned away the years of dust, quietly tracing the girl's time, the drunken scenery of the tour pavilion, lingering. Then the tune dropped, as if a young girl lost her way. And then "cross, cross" vocal range is getting higher and higher, Huang Lu will convergence of the breath swallowed out, long and powerful, is a person can hear the aura, she looked ahead, that Ying Ying eyes if there is a gentle woman, look closely, it is playful and lively. The climax came to an abrupt end, the last shallow singing, lifting the weight as light, that drawl, like a girl sigh, not done. This was followed by Baiyun Hometown, which was created during the Anti-Japanese War, in which the yearning for hometown and the determination to recover the lost territory from the hands of the enemy were vividly expressed. The audience was impressed and applauded enthusiastically. The last group consists of ancient poems composed by contemporary composers. The Song of Yue Nationality embodies the harmonious coexistence of people of different nationalities, and expresses the eulogizing of love across classes. Second, the picture of Guan Ju is like the quiet starry night sky, and Huang Lu's voice is like a clear spring, which injects soul into the picture and drives the accompanying sound, as if it came from the other side of the river, mellow and melodies, and the wind rises and the river is sparkling. After the song, Huang Lu also surprised the audience by performing a Russian song "Path", encouraging the students in Jiangnan to go forward without fear of difficulties. At the end of the performance, applause broke out, Huang Lu bowed down to thank, and the audience stood up and cheered. As Dr. Huang Lu said, "High art, especially our traditional music culture, can really cultivate sentiment and have a very deep cultural heritage." This solo concert not only let the teachers and students of our school understand the relevant knowledge of the elegant art of Chinese art songs, but also let the teachers and students feel the profound classical culture in a unique way, and find the most gentle mood in the heart.